Coco Chanel said:
"Fashion passes, style remains".
This is more relevant than ever for a modern wedding: the era of identical banquets with one hundred and fifty guests and the obligatory ball gown is passing away. Brides choose the sea, the forest, the roofs of lofts and mountain slopes - and each format needs its own dress: one that does not look alien in the frame, does not interfere with dancing and does not turn the holiday into an endurance test.
Why does the format decide
A dress that is luxurious in the light of salon lamps may be helpless outside the walls: heavy satin will get wet from sea spray, a three-meter train will collect pine needles, and a rigid crinoline will not fit in the narrow aisle of a restaurant. Therefore, stylists advise starting not with trends, but with the geography of the wedding.
What to consider before fitting:
- Location and season-the beach, the forest, the city and the mountains have their own heat, wind and coverage;
- Mobility-will you walk on the sand, climb the rocks, dance until the morning;
- Photogenic-how fabric behaves in the wind and in the sun;
- Duration-the dress should be comfortable from morning until the last dance.
REGISTRY office and dinner: urban elegance
Minimalistic silhouettes are suitable for a city ceremony: sheath dress made of crepe, emphasizing the figure without unnecessary decoration; slip dress made of thin satin with an oblique cut, like the icons of the 90s; or restrained A-the line. The midi length is on trend - it's aristocratic and comfortable. Details: pearl buttons, lace bodice, long gloves, veil.
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Rosemary MS-1167
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Cassandra MS-1152 |
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Audrey Hepburn said:
"Elegance is the only beauty that does not fade."
A city wedding is the perfect stage for her.
Beach and sea: lightness and air
The main enemies are heavy fabrics and complex structures. Perfect chiffon, tulle, organza. Silhouettes -A-line with a high slit, boho with lace inserts, airy Empire, short models with flounces. The wind becomes the co-author of the image, and the flying fabric gives the very "cinematic" shots. |
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Yasmina MS-1162 |
Rose MS-1166 |
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What to avoid:
- thick satin and brocade -hot and heavy;
- long plume -sand and splashes;
- tight corsets -you can't breathe in the heat.
- dark lining -it shines through in the sun.
Forest and Garden: Boho and romance
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Catherine MS-1253 |
June MS-1251 |
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Eco-weddings love textures: lace, floral applications, wing sleeves, tiers of tulle. A-line and open-back boho are organic among the greenery, while milky, ivory and powdery shades are especially delicate against the foliage. If you dream of a "mermaid", leave her with a second dress for a photo shoot: it's hard to walk along forest trails in her.
Loft and chamber party: minimalism with an emphasis
The loft is a territory of clean lines and bold details: a column dress made of thick crepe, asymmetry, a deep open back or a giant bow at the waist. A mini with a feather or rhinestone trim is also appropriate. White is optional - champagne, powdery pink, and even pale blue are acceptable. |
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Lyric MS-1246 |
Alesta MS-1218 |
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Vera Wang, in whose dresses brides from all over the world have been getting married for decades, said:
"I want people to see the dress, but focus on the woman."
For a chamber party where all eyes are on the bride, this is doubly true.
